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Nature Unveiling Herself Before Science by Louis-Ernest Barrias
Louis-Ernest Barrias
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
$19,850.00
Nature Unveiling Herself Before Science by Louis-Ernest Barrias—
$19,850.00
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Nature Unveiling Herself Before Science by Louis-Ernest Barrias
Louis-Ernest Barrias
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
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Louis-Ernest Barrias
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
1841-1905 | French
La Nature se dévoilant devant la Science
(Nature Unveiling Herself Before Science)
Signed “L. Barrias” (on base)
Foundry marked Susse Frères
Bronze
A striking celebration of scientific discovery, this evocative bronze by Louis-Ernest Barrias captures one of the most celebrated allegories of fin-de-siècle French sculpture. Depicting Nature as a young woman lifting her veil before Science, the composition embodies the period’s fascination with uncovering the natural world and advancing human knowledge. Cast by the renowned Susse Frères foundry, this refined interpretation of Barrias’s celebrated subject highlights the technical excellence of Parisian bronze production at the turn of the century.
The figure is modeled in a gently twisting pose that reinforces the central act of revelation. Three shaded patinas add depth and surface variation, emphasizing the transitions between flesh, drapery and veil. The refined modeling reflects Barrias’s academic training, while the treatment of form introduces an early Art Nouveau sensibility.
Barrias was a leading figure of the Beaux-Arts tradition and a Prix de Rome laureate, known for his public commissions and allegorical works that defined late 19th-century French sculpture. Barrias first conceived La Nature se dévoilant devant la Science in 1889 as a marble sculpture for Bordeaux’s newly constructed medical school. The work soon became one of his most celebrated compositions, which he revisited in multiple versions and media throughout his career. This continued return to the subject reflects both its critical success and its importance within his oeuvre. Cast by Susse Frères, the bronzes, including this example, are among the most admired interpretations, valued for their fidelity to Barrias’s modeling and their refined finishing.
Circa 1905
19" high x 8" wide x 5" deep
